Archive for December, 2011

December 25, 2011

Ack on Preferring SDFM Minmay

Original Post: Ranka Lee & Her Genealogy of Hate; Or, Happy Merry Christmas Without You


Ack (@we_rob_ot_down) says:

December 25, 2011 at 2:03 am (Edit)

I actually preferred the Minmay of the TV series because I found her narrative to be more compelling. She acts without any consideration for others and lets herself be totally manipulated which yeah is pretty deplorable, but at the end of the TV series the melancholy and depression that hits Minmay when she starts to realize what she has done and where her life is headed is absolutely delicious. It just perfectly captures that most miserable feeling of losing everything you care about and not even being able to be angry because you know that it is your own fault.


December 24, 2011

Andrew Graruru on Mineva Zabi’s Conversation Over Coffee

Original Post: 12 Moments of Anime 2011: Coffee With a Runaway Princess (Mobile Suit Gundam Unicorn)

andrewgraruru says:

December 24, 2011 at 4:46 pm

[…] At this point I’ve praised this scene on two podcasts and on your blog, and I still think its deserving of that praise. I like the way, through conversations like this, Unicorn is building a much fuller picture of UC’s political climate, going right back to the space settlement program. Spacenoids grievances have been expounded upon through Full Frontal attempting to excuse his mens actions, and from Marida we get a more civilian spacenoid view on why they agitate against the earth Government. The Diner conversation sticks out to me because not only is it the rare occurrence of an earthnoid who says more than a sentence (and that sentence isn’t “Ahhh! a colony is dropping on me!”), but also because it gives us an optimistic viewpoint of space-colonisation. All of this affects the conflict we see in 0096

None of this feels like dry exposition or monotone babbling. Instead it gives the impression of a lived-in universe, and puts all of UC’s conflicts into perspective. And also in this scene we Audrey develop more in four minutes than Banagher has in four episodes; she accepts her position and is ready to go forward. I wish all the characters in this show were as well written as she is.

With two more episodes left (and maybe a movie?) and three more books to cover, I doubt they’ll have time for many more scenes like this. But I expect the conclusion of this series and the opening of Laplaces box will feel all the more effective as the culmination of these quiet moments and political instabilities.