Archive for November, 2011

November 23, 2011

Andrew Graruru on the Zeon of Gundam Unicorn

Original Post: The Despair of Zeon At The Bottom of The Gravity Well–Mobile Suit Gundam Unicorn 04

 

Andrew_Graruru says:

November 23, 2011 at 4:19 pm

It’s hard to really root for Zeon in Gundam, and whatever Harutoshi Fukui’s political leanings may be, I don’t think that’s what Unicorn attempts to do. Despite how humanistic the Zeon characters are in this show (especially compared to the cold, inefficient Feddies) and the damming account of Feddie occupation, Zeons atrocity during war-time still casts a massive shadow over the episode, both in the colony-drop and by showing the Shamblo decimate that random Australian suburb.

As you point out, this more human portrayal serves simply to give a richer, more fully realised lore. It is clear in Unicorn that spacenoids are, to an extent, disenfranchised. They lack the right to vote, they were occupied and pillaged by the Federation (which recalls Mineva’s comment about Spacenoids being used to violence against them). I’ve even heard that in the novels it is explicitly mentioned that the spacenoids are classed as abandoned refugees by the Government, which is why they lack certain fundamental rights. This doesn’t justify the gassing, the colony-drop ect, but it does make it more believable that so many spacenoids would be attracted to such an extremist organisation as Zeon. I hear a lot of complaints about this series being “Zeon fanwank” or whatever, but I actually think it does a good job of making the ideologies of UC as a whole much more fleshed out and believable.

And any time it gets a little too “Hail Nippon!” or “those evil FEDDIE Amurrikans!”, Banagher is there to give Zeonic ideology a good hard kick in the balls.

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November 11, 2011

Dearline on the Distinctions of Sheryl Nome

Original Post: Sheryl Nome is The Most Awesome Woman in Anime—The Sixth of Six Posts on Macross Frontier The Wings of Goodbye

 

Dearline says:

November 11, 2011 at 9:59 pm

I think they made Movie Sheryl flawed in her tool against the Vajra and spy dilemma, dealing with real consequences and some bittersweet karma outcome. This is how they should have gone with TV series Ranka. None of that magic-godly whitewashing bullshit. Sheryl, Alto, SMS, all of they should have stuck with Ranka, but I would like her more aware of her actions too.

Movie Sheryl is an actual spy from Macross Galaxy, a place she seems to love enough to pay for its rescue with her credits in the film. She’s aware of her disease (whether if they infect her with it or she was already infected, it’s not explicitly said. Since it seems to ruin their plans, perhaps its the latter) and she signed up in her role as Fairy until they find Ranka. We don’t really know how much she knew about the Galaxy take over (probably nothing of this), but she seemed seeking Ranka out of the memory of her grandmother’s research and beliefs.

And she also feels a strong love and loyalty for Grace, similar to how Ranka feels towards Ozma (Aya Endo empathized this love she feels like a child to a mother).

However, she also knew that the Vajra would attack Frontier sooner or later (Brera apologized because they attacked sooner than they thought). Was she trying to stop this or to use the Vajra to draw Ranka out? We don’t know (like Universal Bunny, Sheryl’s very controversial in the movie). Probably the former. She also feels this crippling loneliness. Maybe because he alone isn’t implanted and, while she might care for Grace and Brera, they are controlled. It must have been terrible for her watch them all this time.

Even though she’s dying and the only hope to save her is harvesting the life of her rival in song and love (remove an obstacle), she feels nothing but relief when she’s arrested. She accepts all the charges, the false and the truthful ones. She wants to pay for them. I really like this. Then her high point is to show that, even if she had a turmoil earlier and she has only spent three or four months in Frontier, she betrays the only people who could save her to keep Ranka safe. Then she is willing to die for Ranka’s sake.

I really like her character progression and I would have like to watch more her thought processes. She is more like the Mad Scientist’s Beautiful Daughter type. We know she means well in her feelings and thoughts (Ranka and Alto felt them), but she’s caught in bad circumstances.

In regards of the triangle, it was less, IMO, who Alto loved. It was very obvious to me Alto was drawn romantically to Sheryl through the movies. The scenes with them are charged and contrasting. But he couldn’t trust her, he trusted Ranka, his best friend, but he didn’t love her. In the end, he was able to trust Sheryl and unable to change his feelings for Ranka.

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November 1, 2011

Chan on Sayonara no Tsubasa Answering a Great “What if”

Original post: The Second of Six Posts on Macross Frontier Sayonara no Tsubasa: A Tale of Two Movie Adaptations–Tengen Toppa Gurren Lagann vs. Macross Frontier

 

Chan says:

November 1, 2011 at 2:25 am (Edit)

I really liked this movie for basically effectively pulling off the What if scenario that I’ve always seen brought up by Ranka fans in the forums, especially after the head script writer outright said that it was Sheryl who won in the tv series.(he had more power than Kawamori in the tv series–the novels also refer to her as the woman that Alto loves), and he only took it out because he felt that there were too much problems with Alto’s character to let him choose. This movie was basically answered for us, what if the roles were reversed, what if it was Sheryl who was the traitor, and Ranka was responsible, independent, more mature, more considerate, didn’t make her life revolve around a person she just met and barely knew, knew Alto longer, and spent more time with him; would Alto love Ranka then, would Sheryl make the same mistakes that Ranka did? This movie answered those questions with a resounding no.

Sheryl didn’t make the same choices as Ranka, she didn’t keep vital information to herself,

This is why this movie worked it was a role reversal what if scenarios and altered the characters accordingly so that they could make it work.

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